LaborBerlin member, Juan David González Monroy taught a two day introduction workshop on the Crass Animation stand. Participants learned all the basic functions of the Crass system and shot and developed the short animation found in the video below.
This workshop was part of RE MI. Photos by Laurence Favre.
Save the date: Analogue Zone Finale
June 16-19, 2016 Berlin / Cairo / Athens (2012-2016)
The project ANALOGUE ZONE (2012-2016) closes with film screenings at the Arsenal – Institute for film and video art and an exhibition, performances and a panel discussion at LaborBerlin / PA58 (Prinzenallee 58). An event with international guests – 16.06-19.06 2016.
ANALOGUE ZONE is a long term project based on a celluloid film training program, involving more than 40 film makers, artists, and amateurs from Egypt, Germany, and Greece. It took place in Cairo and Berlin between 2012 -2016. The workshops resulted in the collective production of around 30 analogue films which both document and bear witness to the initial questionings and responses of a generation of artists to the transition taking place in the region, and particularly Cairo.
The ANALOGUE ZONE FINALE presents films, film performances and film installations, which were produced during the program. The event opens on Thursday, the 16th of June with an exhibition and a book- and DVD publication connected to the program. Two film screenings at the Arsenal will show Super 8 and 16mm works of the participants. Highlight of the event takes place on Saturday, the 18th of June with panel discussion followed by a garden dinner and an performance evening at LaborBerlin’s new location at Prinzenallee 58. The program consisted of three intensive, mostly practical workshops.
The first workshop established the first independent film lab in Cairo at the alternative film centre CIMATHEQUE through comprising 8 and 16 mm shooting and editing facilities, a processing laboratory, archive library, and screening facilities. During the workshops in Cairo and Berlin practical and technical knowledge about analogue film was mediated methodically, so the Egyptian participants got professional transporters of this knowledge. During the last workshop transnational collaborations were realized.
ANALOGUE ZONE is based on an intensive exchange between the independent film associations LaborBerlin and Cimatheque (Cairo) in cooperation with LabA (Athens). The project is funded by the European Cultural Foundation and the Senat Berlin.
8pm. film screening at the Arsenal Cinema (Potsdamer Straße 2)
A Stroll Down Sunflower Lane, Mayye Zayed, Egypt / Al Maraya, Gustavo Jahn & Melissa Dullius, Germany/ Egypt / ii, Theofanis de Lezioso, Egypt/ Greece / Acapella, Islam Safiyyudin Mohamed, Egypt / And the smile is red on red, Clara Bausch, Egypt/Germany / Apt. 5, Sama Waly, Egypt / Corner, Maged Nader, Egypt / The Panel, Vassily Bourikas, Egypt/Greece
4 pm. panel discussion (Engl.) “Transnational collaboration projects and their sustainability” with Hana Al Bayaty, Sarah Rifky, Vassily Bourikas, Michel Balagué followed by a discussion with the Analogue Zone participants
7 pm. Garden Dinner (please rsvp. to firstname.lastname@example.org)
9 pm. performance evening performances by Anja Dornieden & Juan David Gonzales Monroy, Sarah Rifky
8pm. film screening at the Arsenal Cinema (Potsdamer Straße 2)
A Working Copy, Islam El Azazzi, Egypt Germany / Color Me, Ahmed Nour & Asma Abdallah, Egypt / Portraits, Maged Nader, Egypt / Falling into Oneself, Islam Safiyyudin & Tarek Hefny, Egypt / Love has other colors, Aida Elkashef & Laila Sami, Egypt / Dream Number 2, Amr Wishahy, Egypt / Plan B, Tarek Zaki, Egypt / And round we go, Ian Douglas, Egypt / Triangulum, Gustavo Jahn & Melissa Dullius, Germany/ Egypt/ Brasil Artist and initiators of the program: Michel Balagué, Hana Al Bayaty, Tamer El Said, Vassily Bourikas, Islam el Azzazi, Maged Nager, Sarah Rifky, Gustavo Jahn, Clara Bausch, Juan David Gonzales Monroy & Anja Dornieden will be present.
Floris Vanhoof spent two days this week with us teaching his workshop The Projector as Instrument. The group used contact printing and high contrast film to make loops which they subsequently altered through projection.
This workshop was part of the RE MI. Photos by Laurence Favre.
Date: Monday, May 16 & Tuesday, May 17 2016
Workshop: 10:00 – 17:00 both days
Location: LaborBerlin e.V., Prinzenallee 58, 13359 Berlin
This workshop is open to non-LaborBerlin members.
Previous processing experience is recommended, but not necessary.
LaborBerlin is proud to welcome Floris Vanhoof to lead the first workshop of the RE-MI (Re-Engineering Moving Image) project. REMI is a cooperation project run by Mire (Nantes, FR), WORM.Filmwerkplaats (Rotterdam, NL) and LaborBerlin (Berlin, DE), focused on the creation, preservation and circulation of technical knowledge of analogue film in order to support its use as a creative medium.
Floris will lead participants in exploring the possibilities of the film projector as an artistic tool. Together they will shoot, develop and print footage in black and white and color which they will combine with multiple projectors to explore different techniques of loop phasing. Join us in transforming the projector from a passive device into an an instrument that can push the boundaries of perception. More information about the workshop can be found on here.
Floris Vanhoof from Antwerpen (BE), is a media-archeologist who deliberately chooses analogue technology, not for nostalgic reasons but because he wants to experiment with what once has been considered high-tech. His work also includes new technologies like microprocessors. Technology is not an end in itself but a means to explore new images, ideas and sounds in a poetic way.
Participation is limited and pre-registration is required. To register for the workshop please send an email to email@example.com
From April 11 to 15, ten lab members worked with Lutz Garmsen to learn the ins and outs of the Crass animation and optical printing equipment. After 5 days of intense work we were able to set up a fully functioning animation table with the option of shooting on either 16, super 16 or 35mm, plus the option of using rear projection on 16mm. We also set up a optical printing bench that allows us to do 16mm optical printing and blow ups from 16mm to 35mm.
Thanks to Lutz Garmsen for all the help and guidance. We’re eager to see the great new works that the machines will allow LaborBerlin members to bring into the world!
This masterclass was part of the RE MI. Photos by Laurence Favre.
Last night the impossible happened! Overnight we reached an unbelievable 101% of our funding goal! Every one of us at LaborBerlin is absolutely drowning in gratitude for all the support and donations that have flooded in over the last 6 weeks of our campaign. For everyone who could not donate but supported us in countless other ways we are also incredibly grateful!
We are on top of the world right now to know that great things can happen when enough people gather around and demand to see a change!
From the very beginning we had no idea that we could grow such a strong movement. But what was clear already is that throughout this campaign LaborBerlin has been changing. We have reached beyond ourselves and contextualised who we are, both locally in Berlin, but also globally amongst the network of awesome analogue activists from Indonesia to Cairo to Toronto and everywhere in-between. We are humbled by our incredible new connections to others who also demand that analogue film is here to stay. & we dreamed about what we want to see for the future!
But it is each and everyone of our ANALOGUE FILM WARRIORS who has made this possible! We really made some noise together!! & LaborBerlin is already expanded with all your voices shouting out loudly with us that FILM AIN’T DEAD!!!!
Thank you a thousand million times from the very bottom of our analogue beating hearts!
FILM AIN’T DEAD – https://igg.me/at/filmaintdead – our crowd-funding campaing is getting to the end and we need your help!!! We are absolutely overwhelmed and excited by the incredible support that has been mustered up in the last 24 hours! A MASSIVE THANK YOU to each and every one of our 363 donors and everyone else who has been supporting us in so many other ways!
We are so so so close to reaching our goal! We need to raise 8247€ in these last 2 days! We can do this with YOUR support! It seems unbelievable – but if each and every one of our supporters raised just another 24€ from their friends we will reach our goal!
Please help us reach out to new supporters. Every phone-call, every message on facebook, and every email makes a huge difference!
Date: Friday, March 18 2016 Miniconcerts: 23:00 (Doors: 22:00)
Location: Südblock, Admiralstr. 1-2, 10999 Berlin
Analogue film is grainy and dirty, baby. On this dark night, LaborBerlin invites your grainy dirty side to party with us in an offering to celebrate the future/s of analogue film. All film, art and music in solidarity with the FILM AIN’T DEAD project from LaborBerlin to protect our heritage of analogue film history and sustain diversity in future film practice.
In the earliest days of film, every screening was a performance; projectors were hand-cranked, sound was performed live. Today outside of the multiplex, analog filmmakers carry on the tradition of film as a unique experience.
For the third event in the LABORBERLIN 2.0 – FILM AIN’T DEAD crowd-funding initiative we’re happy to present an evening of expanded cinema created by LaborBerlin members and friends. Come and experience film beyond the limits of the single screen. Multiple projectors, multiple screens, live sound, and the warm glow of celluloid await you. Don’t miss this unique opportunity to see film alive before your eyes.
All proceeds will be added to our campaign. Join the movement! Spread the word! FILM AIN’T DEAD!
BRIDGES TO CROSS by Deborah Phillips in collaboration with Ibrahim al Harasch (2016 I 10 min I 2 x slide projectors) PRETO E BRANCO by Distruktur in collaboration with Chatschatur Kanajan (violin + eletronics) (2015 I 10 min I 2 x 16mm) APOCALYPSE FOR YOU by Anja Dornieden & Juan David González Monroy (2014 I 20 min I 2x 16mm) DEMAIN by Igor Buharov, Guillaume Cailleau and Michel Balagué in collaboration with Amélie Legrand and Tatsumi Ryusui (2016 I 20 min I 16mm, Super8 & digital projection).